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… Tian Teng … Tian Teng …

… nog niet zijn afgestompt door herhaling en gewoonte. Als Chinese student in Utrecht verbaasde Tian Teng zich over de typisch Nederlandse gewoonte om altijd de gordijnen open te laten. … aandacht nog sterker gevestigd op dat wat wij dagelijks passeren maar allang niet meer zien. … Tian Teng … Tian Teng …

… Tian Teng … Tian Teng …

… Tian Teng … Tian Teng …

… Tegenwoordig is er een skatepark en kun je lekker wandelen in het Berlijnse Kleistpark. Maar tot de 19de eeuw was dit de tuin van een keurvorst. In 1944 beraamden hoge officieren …

… thousand eyez’ (2009) is ontstaan tijdens haar reis in Zweeds Lapland vlakbij Abisko National Park. In haar werk hebben de velden ogen en de bossen oren, zoals in de middeleeuwse tekeningen … “A thousand eyez” (2009) was conceived during her trip to Swedish Lapland, near Abisko National Park. In her work, the fields have eyes and the forests have ears, as in the mediaeval drawings …

… in his paintings. The painting “Astronomical unit” is at first glance a mess of colours and shapes. Yet the similarity to overlapping leaves in a forest is also clearly evident. There is depth, and the colours and shapes of the 'leaves' differ, but together they form a whole. … Ramon van de Werken … Ramon van …

… Zo komen de doeken van Claeijs tot leven, zoals cellen bekeken door een microscoop. Organic shapes in all shapes and sizes are characteristic of the work of the artist Marc Claeijs, trained in The …

… of patterns reminiscent of Batik textiles from Indonesia. In addition, Suaka plays with other shapes, such as squares and circles, with which he creates motifs and creates depth as in the work “Head II” (2002). In “Marriage” (2003) we see how Suaka uses round shapes and spirals to form a larger symbol that refers to the unity and connection associated …

… of patterns reminiscent of Batik textiles from Indonesia. In addition, Suaka plays with other shapes, such as squares and circles, with which he creates motifs and creates depth as in the work “Head II” (2002). In “Marriage” (2003) we see how Suaka uses round shapes and spirals to form a larger symbol that refers to the unity and connection associated …