… zien en zeggen zoveel over mij, dat ik ze zie als zelfportret.' My bottles (five days). Caochangdi, Beijing is een zelfportret van Nieuwenhuize dat hij maakte aan de hand van frisdrank- …
… British Airways de staarten van een groot aantal vliegtuigen beschilderen. In het werk We need change combineert Kaagman zijn herkenbare Delfts Blauwe motieven met meer 'graffiti achtige' …
… (Goirle, 1960) is a master in the 'controlled letting go'. When editing photos with paint, chance plays a major role. How the pigment ends up where, how it is smeared or not, and how it …
… Spoor railway station. Her work is characterised with her fascination with 'the endless change that influences all'. The title of the painting “Heaven and earth are one finger” (2006) …
… as 'always a little bit disrupted'. The developments in his work are asynchronous with changes in his environment and in society; it has a much lower, idiosyncratic tempo. This …
… of old American cars which are portrayed as half forgotten statues. But as soon as he exchanges the camera for paintbrushes, that immediately recognisable, figurative world disappears. …
… and private domain around the frayed edges of cities, Wilschut investigates the places where changes converge and become visible. Themes such as socio-cultural transitions, the increase in …
… of old American cars which are portrayed as half forgotten statues. But as soon as he exchanges the camera for paintbrushes, that immediately recognisable, figurative world disappears. …
… (Goirle, 1960) is a master in the 'controlled letting go'. When editing photos with paint, chance plays a major role. How the pigment ends up where, how it is smeared or not, and how it …