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… in the scenes depicted on the tapestries. During this time, her father carried on an affair with Sadie Gordon Richmond, the English tutor who lived in the family house. This deeply … Bourgeois presented strange, organically shaped plaster sculptures that contrasted dramatically with the totemic wood pieces she had exhibited earlier. But alternating between forms, … kinds of imagery and content. In 1982, at 70 years old, Bourgeois finally took center stage with a retrospective at The Museum of Modern Art. After that, she was filled with new confidence …

… Dominique Teufen (Davos, Switzerland, in 1975) uses all kinds of materials she encounters in everyday life to compose, with her photocopier, imaginary landscapes. She carefully builds up the image, plays with volumes and varies the lighting by adjusting the copier lid to be more open or closed. She …

… Witte bloemen staan voor onschuld en maagdelijkheid. Blauwe worden vaak ingezet om … Blue are often used to depict divinity, power and eternity. And red flowers symbolise love. But with Margriet Smulders (Bussum, 1955) all those meanings dissolve in a fully theatrical … all an exuberant, sensual expression of life. The flowers are just on the point of beginning to wither and so can seductive excess turn into rot and decay. Eros and Thanatus go hand in hand. … …

… begint te 'swingen' zoals de kunstenaar het noemt. Adam Colton (Manchester, 1957) plays with the processes of transformation. By systematically cutting away material - based upon the … spatial relationships into a pattern - the form of the sculpture emerges. At first he worked with large blocks of plaster, later also with polyurethane foam, aluminum and wood. He enlarges, shrinks and disorganises, just as long …

… Witte bloemen staan voor onschuld en maagdelijkheid. Blauwe worden vaak ingezet om … Blue are often used to depict divinity, power and eternity. And red flowers symbolise love. But with Margriet Smulders (Bussum, 1955) all those meanings dissolve in a fully theatrical … all an exuberant, sensual expression of life. The flowers are just on the point of beginning to wither and so can seductive excess turn into rot and decay. Eros and Thanatus go hand in hand. … …

… aware of the huge influence that the internet has on young people in particular, and she plays with this in her professional practice. Ritterbex examines the boundless fascination of online culture with a healthy dose of humour and self-reflection. The subject of her colourful and expressive paintings and video art is often Ritterbex’s own body and life, with work that makes us think about who we are and what it means to make oneself vulnerable. … …

… understands him. Observing from a distance is the only thing that’s left over. And he does that with extra intensity, with a keen eye for the everyday triviality. He also takes on that outsider’s position when back … who is trapped by an anonymous environment. Vermeule portrays him as if in a snapshot: without storyline, expression or meaning. He is simply there. … Koen Vermeule … Koen Vermeule …

… The artist Lieven Hendriks (Velp, 1970) knows how to intrigue and sometimes mislead the viewer with his virtual painting technique. For example, he paints nails in the wall, hyper-realistic … that fool the viewer. The work “Untitled” (1999) appeals to the imagination in a different way: with only two colours and a number of simple shapes, it sets up a story with floating signs that you, the spectator, can interpret further. … Lieven Hendriks … Lieven …

… zodat het gerecyclede materiaal gebruikt kon worden in een 3D-printer. Het ietwat vergeelde wit van de afgedankte elektronica geeft Nuetens verbeelding van het virtuele bijna iets … Nuyten made the pattern visible that is caused by electrodes. The artist, who feels a kinship with the conceptual masters of the 1960s, experimented with a new material for this. She had the plastic casings of old computer monitors ground down …

… Oceania, he adopted the tough, sturdy forms of tribal art. In Tibet, he felt a deep connection with nature, which has been the main subject of his work ever since. His most commonly used … nature is the tree. However, he has completely stripped that down, usually to a few branches, with sometimes a single leaf. Warffemius finds the essence with minimal means. … Piet Warffemius … Piet Warffemius …