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… and private domain around the frayed edges of cities, Wilschut investigates the places where changes converge and become visible. Themes such as socio-cultural transitions, the increase in …

… of old American cars which are portrayed as half forgotten statues. But as soon as he exchanges the camera for paintbrushes, that immediately recognisable, figurative world disappears. …

… (Goirle, 1960) is a master in the 'controlled letting go'. When editing photos with paint, chance plays a major role. How the pigment ends up where, how it is smeared or not, and how it …

… een vloeiende beweging, voor één moment stilgezet.' Van de Laak is gefascineerd door kwantummechanica, deze theorie kan gezien worden als de overgang van de klassieke- naar de moderne …

… (Goirle, 1960) is a master in the 'controlled letting go'. When editing photos with paint, chance plays a major role. How the pigment ends up where, how it is smeared or not, and how it …

… een vloeiende beweging, voor één moment stilgezet.' Van de Laak is gefascineerd door kwantummechanica, deze theorie kan gezien worden als de overgang van de klassieke- naar de moderne …

… a ‘baroque minimalist’ and that is both as unusual and as accurate a characterisation. His penchant for geometric shapes puts him in the same corner of Mondriaan and other formalists, but in …

… of old American cars which are portrayed as half forgotten statues. But as soon as he exchanges the camera for paintbrushes, that immediately recognisable, figurative world disappears. …

… van een mens een een soort robot te zien. Het hoofd van de figuur is vervangen door iets mechanisch. Door het vrolijke kleurgebruik heerst er toch geen vreemde sfeer in het werk. Het …

… of old American cars which are portrayed as half forgotten statues. But as soon as he exchanges the camera for paintbrushes, that immediately recognisable, figurative world disappears. …