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… of old American cars which are portrayed as half forgotten statues. But as soon as he exchanges the camera for paintbrushes, that immediately recognisable, figurative world disappears. …

… van een mens een een soort robot te zien. Het hoofd van de figuur is vervangen door iets mechanisch. Door het vrolijke kleurgebruik heerst er toch geen vreemde sfeer in het werk. Het …

… of old American cars which are portrayed as half forgotten statues. But as soon as he exchanges the camera for paintbrushes, that immediately recognisable, figurative world disappears. …

… Marena Seeling (Weurt, 1953) lives and works in Nijmegen. Her paintings reflect the changes that the once so wide Dutch landscape has undergone under the influence of the advance …

… (Goirle, 1960) is a master in the 'controlled letting go'. When editing photos with paint, chance plays a major role. How the pigment ends up where, how it is smeared or not, and how it …

… een vloeiende beweging, voor één moment stilgezet.' Van de Laak is gefascineerd door kwantummechanica, deze theorie kan gezien worden als de overgang van de klassieke- naar de moderne …

… (Goirle, 1960) is a master in the 'controlled letting go'. When editing photos with paint, chance plays a major role. How the pigment ends up where, how it is smeared or not, and how it …

… Spoor railway station. Her work is characterised with her fascination with 'the endless change that influences all'. The title of the painting “Heaven and earth are one finger” (2006) …

… as 'always a little bit disrupted'. The developments in his work are asynchronous with changes in his environment and in society; it has a much lower, idiosyncratic tempo. This …

Peter Quince … Peter Quince …