… the case of “Herbarium”: at the moment the flowers pass from recognisable flora into abstract colour fields. In so doing he leaves them stopped in time and in a state in which they will …
… the case of “Herbarium”: at the moment the flowers pass from recognisable flora into abstract colour fields. In so doing he leaves them stopped in time and in a state in which they will …
… simple motifs, until he finds a certain balance. Once in balance, he varies a composition with colour, size and material. In so doing he creates a ‘familial’ series of smaller and larger …
… surfaces of coarse stripes. Or they lie just above of it. They are either glimpses into a multicoloured world or of a spilled disturbance of order. … Richard Brouwer … Richard Brouwer …
… surfaces of coarse stripes. Or they lie just above of it. They are either glimpses into a multicoloured world or of a spilled disturbance of order. … Richard Brouwer … Richard Brouwer …
… can be quite distorted. Dick Donker teases this by submerging his landscapes in a faded blue colour. This cools down our sentiment and creates enough distance to see that the landscape …
… of. She distils this multitude of impressions into delicate compositions with only a few colours and abstracted forms. … Carola Rombouts … Carola Rombouts …
… can be quite distorted. Dick Donker teases this by submerging his landscapes in a faded blue colour. This cools down our sentiment and creates enough distance to see that the landscape …
… unusual materials such as dried grass, slate and palm bark which he overpaints with the same colour, so it seems that segments are created that can shift around in relation to each other. … …
… the case of “Herbarium”: at the moment the flowers pass from recognisable flora into abstract colour fields. In so doing he leaves them stopped in time and in a state in which they will …