… the case of “Herbarium”: at the moment the flowers pass from recognisable flora into abstract colour fields. In so doing he leaves them stopped in time and in a state in which they will …
… unusual materials such as dried grass, slate and palm bark which he overpaints with the same colour, so it seems that segments are created that can shift around in relation to each other. …
… the paint in layers, then smearing it out and scratching it in, he creates a lively jumble of colours and shapes that never comes to a complete stop. …
… same corner of Mondriaan and other formalists, but in his case, a square has a frayed edge and colours burst off the canvas just a little too capriciously. Whilst the really strict …
… can be quite distorted. Dick Donker teases this by submerging his landscapes in a faded blue colour. This cools down our sentiment and creates enough distance to see that the landscape …
… surfaces of coarse stripes. Or they lie just above of it. They are either glimpses into a multicoloured world or of a spilled disturbance of order. …
… rhythm of the pavement. The reflection of the puddle gives a glimpse of the architecture and colours of buildings in the immediate vicinity. Nature and the man made urban environment blend …
… can be quite distorted. Dick Donker teases this by submerging his landscapes in a faded blue colour. This cools down our sentiment and creates enough distance to see that the landscape …
… surfaces of coarse stripes. Or they lie just above of it. They are either glimpses into a multicoloured world or of a spilled disturbance of order. …
… is constantly being manipulated lie the geologies—the strata that support the surface. Watercoloured relief illusions of meandering folds, cracks, and fissures evoke geological layers. …