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… smeared or not, and how it dries out. Van Vught always knows exactly when to intervene. In the case of “Herbarium”: at the moment the flowers pass from recognisable flora into abstract colour …

… recognition, could turn “Untitled” (1993) maybe into a landscape with boats and an oar. In any case, what reaches to the viewer is in the mood of the piece: balanced forms in deep and warm …

… of de 'sehnsucht' zoals we die ook kennen in de werken van romantische schilders zoals Caspar David Friedrich. In het schilderij Malibu Batman zien we Batman met een persoon in zijn …

… Nour-Eddine Jarram (Casablanca, 1956) weet in zijn pasteltekeningen landschappen en portretten te combineren. 'De …

… figures. While her works may appear to reflect everyday life, she herself says this is not the case. The atmosphere in her drawings is “both real and impossible,” prompting viewers to take a …

… for geometric shapes puts him in the same corner of Mondriaan and other formalists, but in his case, a square has a frayed edge and colours burst off the canvas just a little too …

… In the 17th century, a vase of flowers was considered the ideal subject for a painter to showcase their technical skill. Photographer Holger Niehaus revisits this genre but gives it a …

… smeared or not, and how it dries out. Van Vught always knows exactly when to intervene. In the case of “Herbarium”: at the moment the flowers pass from recognisable flora into abstract colour …

… smeared or not, and how it dries out. Van Vught always knows exactly when to intervene. In the case of “Herbarium”: at the moment the flowers pass from recognisable flora into abstract colour …

… Nour-Eddine Jarram (Casablanca, 1956) weet in zijn pasteltekeningen landschappen en portretten te combineren. 'De …