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… (Velp, 1970) lives and works in Amsterdam. Hendriks can be seen as a modern trompe l'oeil painter, because his canvases sometimes seem to be pierced by bullet holes and others are … into which an image has been traced with a finger. Hendriks thinks it is important that his paintings make sense: '(...) a painting is good when the implementation of the idea is an extra layer of the idea, and then …

… Dirk Pols … Dirk Pols …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings acquire a certain alienation. As Buitendijk works with spray cans and airbrush, her …

… Zonder Titel een woeste stormachtige zee weergegeven. Michael de Kok (Hilvarenbeek 1958) paints landscapes that are characterised by their desolation. He reduces the landscape to its … creates a lonely, yet recognisable landscape. His landscapes are memory places, explorations in paint, as an ode to the freedom of the spirit and to painting. With just a few lines, in the painting “Untitled”, De Kok has depicted a wild stormy …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings acquire a certain alienation. As Buitendijk works with spray cans and airbrush, her …

… van Vught is a master of ‘controlled letting go’. In every medium in which he works - such as painting, photography and drawing - serendipity plays a major role. How and where the pigment ends up, the way it is smeared, and how the paint dries. Van Vught always knows exactly when to intervene and when to stop. In the work ‘Zonder Titel’, Van Vught makes optimal use of the fluid quality of paint. By first applying the paint in layers, then smearing it out and scratching it in, he …

… of juist ver uitgezoomde landschappen. Martijn Schuppers (Almelo, 1967) approaches his paintings not so much as a classical painter, but rather as an experimental scientist. He begins the artistic process by applying multiple layers of monochrome paint. After that, he no longer adds any paint, but lets substances such as terpentine feed a …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings acquire a certain alienation. As Buitendijk works with spray cans and airbrush, her …

… with her fascination with 'the endless change that influences all'. The title of the painting “Heaven and earth are one finger” (2006) is a quote from the Zen master Tao-Hsin. Heaven and earth are central to Sloet's work from the time in which this canvas was painted. The way with which Sloet plays with light in this painting creates an atmosphere of mystery fitting nicely with the theme of heaven and earth. … …

… that occurs in that garden and its immediate surroundings can be the subject for Slegten's paintings and graphic work. Of course, in this regard, she does make specific choices. She paints outside in the gardens, but also views them from her house. Every day, her eye catches things that no one else looks at and her paintings make those things clearly visible. … Ellie Slegten … Ellie Slegten …