Zoeken

… Arthur Cordier (1993) gebruikt afgedankt vrachtwagenzeil als basis voor zijn schilderijen. Op het verweerde en verkleurde oppervlak van het … proces in te zetten. Arthur Cordier (1993) uses discarded truck tarpaulin as the basis for his paintings. On the weathered and discolored surface of the tarpaulin, he creates compositions of …

… Met slechts enkele lijnen heeft De Kok in het schilderij Zonder Titel een woeste stormachtige zee weergegeven. Michael de Kok (Hilvarenbeek 1958) paints landscapes that are characterised by their desolation. He reduces the landscape to its … as an ode to the freedom of the spirit and to painting. With just a few lines, in the painting “Untitled”, De Kok has depicted a wild stormy sea. … Michaël de Kok … Michaël de Kok …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings …

… schuin aflopende kleurvlakken.' Marena Seeling (Weurt, 1953) lives and works in Nijmegen. Her paintings reflect the changes that the once so wide Dutch landscape has undergone under the influence of the advance of industrial building. From an empty … water ways, grasslands, trees, shrubs, but also to sheds, halls and the chimneys of factories. Those elements are always idiosyncratically displayed in terms of colour and …

… van de mensen die wij in onze herinnering hebben uitgegumd.* For many, nature is an idyllic place, pure and untouched. Especially when we are not standing in the middle of that nature, … the memory counts, and that can be quite distorted. Dick Donker teases this by submerging his landscapes in a faded blue colour. This cools down our sentiment and creates enough distance to see that the landscape bears quite a few traces of the people we have erased from our memories. … Dick Donker … Dick Donker …

… and New York and one can find a clear development in his art. The works of Jan Cremer, both his paintings and his graphic work, are mostly inspired by nature and by (Dutch) landscapes. In his very own style, he paints these or makes prints of them. … Jan Cremer … Jan …

… zoals terpentine zich een baan eten door de verschillende verflagen. Zo ontstaan abstracte beelden die doen denken aan microscopisch vergrootte materialen of juist ver uitgezoomde landschappen. Martijn Schuppers (Almelo, 1967) approaches his paintings not so much as a classical painter, but rather as an experimental scientist. He begins … This creates abstract images reminiscent of microscopically enlarged materials or far away landscapes. … Martijn Schuppers … Martijn Schuppers …

… In de serie 'Heda' toont Lonneke de Groot (Amsterdam, 1981) tafelkleden tegen zwarte achtergronden. De foto's zijn gebaseerd op de schilderijen van de Nederlandse stilleven schilder … is bestaand beeldmateriaal, meestal schilderijen. Lonneke de Groot is afgestudeerd in 2013 en won meteen al diverse prijzen o.a. Best of Graduates Photo Talent Award 2013 . In the … (Amsterdam, 1981) shows tablecloths against black backgrounds. The photos are based on the paintings of the Dutch still life painter Willem Claesz Heda (1594-1680). De Groot manipulates …