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… Arthur Cordier (1993) gebruikt afgedankt vrachtwagenzeil als basis voor zijn schilderijen. Op het verweerde en verkleurde oppervlak van het … proces in te zetten. Arthur Cordier (1993) uses discarded truck tarpaulin as the basis for his paintings. On the weathered and discolored surface of the tarpaulin, he creates compositions of …

… Met slechts enkele lijnen heeft De Kok in het schilderij Zonder Titel een woeste stormachtige zee weergegeven. Michael de Kok (Hilvarenbeek 1958) paints landscapes that are characterised by their desolation. He reduces the landscape to its … as an ode to the freedom of the spirit and to painting. With just a few lines, in the painting “Untitled”, De Kok has depicted a wild stormy sea. … Michaël de Kok … Michaël de Kok …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings …

… schuin aflopende kleurvlakken.' Marena Seeling (Weurt, 1953) lives and works in Nijmegen. Her paintings reflect the changes that the once so wide Dutch landscape has undergone under the influence of the advance of industrial building. From an empty … water ways, grasslands, trees, shrubs, but also to sheds, halls and the chimneys of factories. Those elements are always idiosyncratically displayed in terms of colour and …

… and New York and one can find a clear development in his art. The works of Jan Cremer, both his paintings and his graphic work, are mostly inspired by nature and by (Dutch) landscapes. In his very own style, he paints these or makes prints of them. … Jan Cremer … Jan …

… zoals terpentine zich een baan eten door de verschillende verflagen. Zo ontstaan abstracte beelden die doen denken aan microscopisch vergrootte materialen of juist ver uitgezoomde landschappen. Martijn Schuppers (Almelo, 1967) approaches his paintings not so much as a classical painter, but rather as an experimental scientist. He begins … This creates abstract images reminiscent of microscopically enlarged materials or far away landscapes. … Martijn Schuppers … Martijn Schuppers …

… aanwezigheid van de mens. Martin Effert (Düsseldorf, 1965) lives and works in Maastricht. The landscape is central to Effert's work. Characteristic of these landscape photos is that he always tries to show human intervention or in … Abandoned, in all likelihood neutral pieces of land that we cross or ignore every day, acquire an intensified, emotional value.” In the photo “Rock”, a rock is shown which been …

… kunstenaarschap jarenlang les gegeven aan de AKI in Enschede. Klaus Versteegen's (Lisse, 1943) paintings are colourful and often show simple shapes. His work is seen as 'a continuous search … This search yields up paintings with diverse imagery, but all of which seem to be related to each other by the repetition of certain colours and figures. In addition to being an artist, Versteegen was also a teacher at the AKI in Enschede for many years. … Klaus Versteegen … Klaus Versteegen …