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… Arthur Cordier (1993) gebruikt afgedankt vrachtwagenzeil als basis voor zijn schilderijen. Op het verweerde en verkleurde oppervlak van het … proces in te zetten. Arthur Cordier (1993) uses discarded truck tarpaulin as the basis for his paintings. On the weathered and discolored surface of the tarpaulin, he creates compositions of …

… Met slechts enkele lijnen heeft De Kok in het schilderij Zonder Titel een woeste stormachtige zee weergegeven. Michael de Kok (Hilvarenbeek 1958) paints landscapes that are characterised by their desolation. He reduces the landscape to its … as an ode to the freedom of the spirit and to painting. With just a few lines, in the painting “Untitled”, De Kok has depicted a wild stormy sea. … Michaël de Kok … Michaël de Kok …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings …

… schuin aflopende kleurvlakken.' Marena Seeling (Weurt, 1953) lives and works in Nijmegen. Her paintings reflect the changes that the once so wide Dutch landscape has undergone under the influence of the advance of industrial building. From an empty … water ways, grasslands, trees, shrubs, but also to sheds, halls and the chimneys of factories. Those elements are always idiosyncratically displayed in terms of colour and …

… van de mensen die wij in onze herinnering hebben uitgegumd.* For many, nature is an idyllic place, pure and untouched. Especially when we are not standing in the middle of that nature, … the memory counts, and that can be quite distorted. Dick Donker teases this by submerging his landscapes in a faded blue colour. This cools down our sentiment and creates enough distance to see that the landscape bears quite a few traces of the people we have erased from our memories. … Dick Donker … Dick Donker …

… van de mensen die wij in onze herinnering hebben uitgegumd. For many, nature is an idyllic place, pure and untouched. Especially when we are not standing in the middle of that nature, … the memory counts, and that can be quite distorted. Dick Donker teases this by submerging his landscapes in a faded blue colour. This cools down our sentiment and creates enough distance to see that the landscape bears quite a few traces of the people we have erased from our memories. … Dick Donker … Dick Donker …

… en vormen bevatten subtiele verwijzingen naar de wereld om ons heen, maar behouden ook een abstracte kwaliteit. Het in herkenning getrainde menselijk brein maakt van Zonder Titel (1993) … us, but also retain an abstract quality. The human brain, trained in recognition, could turn “Untitled” (1993) maybe into a landscape with boats and an oar. In any case, what reaches to the viewer is in the mood of the …

… Eelco Brand (Rotterdam, 1969) currently mostly makes 3D computer animations and digital prints. Landscapes are a recurrent theme in Brand's works. The work O.W. (2002) dates from the period when the artist still produced many paintings, and clearly shows his sense of spatial suggestion and movement. By simply placing waves against a blue sky spatial seascape is created. The large plane in the foreground …