Zoeken

… Tian Teng … Tian Teng …

… nog niet zijn afgestompt door herhaling en gewoonte. Als Chinese student in Utrecht verbaasde Tian Teng zich over de typisch Nederlandse gewoonte om altijd de gordijnen open te laten. … aandacht nog sterker gevestigd op dat wat wij dagelijks passeren maar allang niet meer zien. … Tian Teng … Tian Teng …

… Tian Teng … Tian Teng …

… Tian Teng … Tian Teng …

… Tegenwoordig is er een skatepark en kun je lekker wandelen in het Berlijnse Kleistpark. Maar tot de 19de eeuw was dit de tuin van een keurvorst. In 1944 beraamden hoge officieren …

… of patterns reminiscent of Batik textiles from Indonesia. In addition, Suaka plays with other shapes, such as squares and circles, with which he creates motifs and creates depth as in the work “Head II” (2002). In “Marriage” (2003) we see how Suaka uses round shapes and spirals to form a larger symbol that refers to the unity and connection associated …

… of patterns reminiscent of Batik textiles from Indonesia. In addition, Suaka plays with other shapes, such as squares and circles, with which he creates motifs and creates depth as in the work “Head II” (2002). In “Marriage” (2003) we see how Suaka uses round shapes and spirals to form a larger symbol that refers to the unity and connection associated …

… compositions of organic and abstract forms using tape and adhesive vinyl sheets. The organic shapes are based on photographs of plant leaves, which he cuts from vinyl and applies to the painting. The vinyl is partially removed, causing the shapes to appear partly revealed and partly concealed. In other works, the vinyl serves as a …

… Zo komen de doeken van Claeijs tot leven, zoals cellen bekeken door een microscoop. Organic shapes in all shapes and sizes are characteristic of the work of the artist Marc Claeijs, trained in The …

… of patterns reminiscent of Batik textiles from Indonesia. In addition, Suaka plays with other shapes, such as squares and circles, with which he creates motifs and creates depth as in the work “Head II” (2002). In “Marriage” (2003) we see how Suaka uses round shapes and spirals to form a larger symbol that refers to the unity and connection associated …