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… search for a balance between form and colour'. This search yields up paintings with diverse imagery, but all of which seem to be related to each other by the repetition of certain colours and …

… uses—charcoal and pastel—enhance the sense of emptiness in her drawings: they are loose and powdery, with an airy, soft quality. Erasing and smudging are almost as important to her as drawing …

… only thing that’s left over. And he does that with extra intensity, with a keen eye for the everyday triviality. He also takes on that outsider’s position when back in the Netherlands. His …

… our ancestors to communicate through smoke signals. The smartphone—with its flashlight, delivery apps, and social media—can be seen as the modern successor to that prehistoric technology. …

… But by the 1970s and 1980s, the focus had shifted to the examination of various kinds of imagery and content. In 1982, at 70 years old, Bourgeois finally took center stage with a …

Jan van Munster … Jan van Munster …

Robert Collette … Robert Collette …

Michael Tedja … Michael Tedja …

De foto's van Wimo Ambala Bayang (Magelang, 1976) zijn veelal in scene gezet. In de serie Belanda Suda Dekat! (Hollanders zijn niet ver) zijn onder andere b ewakers, bodybuilders en danseressen te zien, allen gewapend met waterpistolen. … Wimo Ambala Bayang … Wimo Ambala …

Peter Kwangware … Peter Kwangware …