… van Vught (Goirle, 1960) is a master in the 'controlled letting go'. When editing photos with paint, chance plays a major role. How the pigment ends up where, how it is smeared or not, … fields. In so doing he leaves them stopped in time and in a state in which they will never wither. … Reinoud van Vught … Reinoud van Vught …
… Hague, 1950), decoration is not an afterthought. In her work, patterns claim the leading role with a never-intrusive but never-ending variation in colour, rhythm and scale. In this she is connected with American pattern painting, a movement that has never really caught on in the Netherlands. …
… van Vught (Goirle, 1960) is a master in the 'controlled letting go'. When editing photos with paint, chance plays a major role. How the pigment ends up where, how it is smeared or not, … fields. In so doing he leaves them stopped in time and in a state in which they will never wither. … Reinoud van Vught … Reinoud van Vught …
… Johan van Oord (Werkendam, 1950) has painted compositions since the mid-1980’s. He juggles with simple motifs, until he finds a certain balance. Once in balance, he varies a composition with colour, size and material. In so doing he creates a ‘familial’ series of smaller and larger …
… Studies, Diana Scherer was inspired by 17th-century encyclopedias in which plants were depicted with their roots intact. However, she did not grow her plants in open soil, but in a vase. You … echoes the shape of the vase—the ultimate cultural object. Each individual work is titled with a date, revealing the precision of a collector cataloguing nature. … Diana Scherer … Diana …
… daarmee een eigen vocabulaire ontwikkeld. Letters, words and short sentences are the 'material' with which Marc Ruygrok (Voorburg, 1953) builds his works. Striking and characteristic in this … shapes: circles, squares, spheres and cubes. He draws, builds and photographs these images and with that has over the years developed his own vocabulary. … Marc Ruygrok … Marc Ruygrok …