… For years, he has used only six colors, and his figures are restricted to geometric shapes. Circles and stripes frequently recur. Do they cover a surface or provide a glimpse through? In …
… Batik textiles from Indonesia. In addition, Suaka plays with other shapes, such as squares and circles, with which he creates motifs and creates depth as in the work “Head II” (2002). In …
… production as she became immersed in psychoanalysis. Then, in 1964, for an exhibition after a long hiatus, Bourgeois presented strange, organically shaped plaster sculptures that contrasted …
… and characteristic in this visual language is his preference for elementary geometric shapes: circles, squares, spheres and cubes. He draws, builds and photographs these images and with that …
… begins the artistic process by applying multiple layers of monochrome paint. After that, he no longer adds any paint, but lets substances such as terpentine feed a path through their …
… the oldest human artistic expressions we know: 40,000-year-old rock paintings. They represent a long chain of sharing stories – from the actual painting of animals on a wall to reproduction of …
… Batik textiles from Indonesia. In addition, Suaka plays with other shapes, such as squares and circles, with which he creates motifs and creates depth as in the work “Head II” (2002). In …
… Batik textiles from Indonesia. In addition, Suaka plays with other shapes, such as squares and circles, with which he creates motifs and creates depth as in the work “Head II” (2002). In …
… and characteristic in this visual language is his preference for elementary geometric shapes: circles, squares, spheres and cubes. He draws, builds and photographs these images and with that …
… or an overgrown embankment. By skilfully using photographic techniques (for example, extremely long shutter times), he takes photos within which the very familiar images of urban society are …