Zoeken

… Batik textiles from Indonesia. In addition, Suaka plays with other shapes, such as squares and circles, with which he creates motifs and creates depth as in the work “Head II” (2002). In …

… Batik textiles from Indonesia. In addition, Suaka plays with other shapes, such as squares and circles, with which he creates motifs and creates depth as in the work “Head II” (2002). In …

… and characteristic in this visual language is his preference for elementary geometric shapes: circles, squares, spheres and cubes. He draws, builds and photographs these images and with that …

… also with polyurethane foam, aluminum and wood. He enlarges, shrinks and disorganises, just as long as it takes for his starting object to start 'swing', as the artist calls it. …

… photograph takes on a sense of guilt. Effert photographed the scene at night using an extremely long exposure time. The orange streetlights from a nearby highway create a ghostly effect, a …

… For years, he has used only six colors, and his figures are restricted to geometric shapes. Circles and stripes frequently recur. Do they cover a surface or provide a glimpse through? In …

… Batik textiles from Indonesia. In addition, Suaka plays with other shapes, such as squares and circles, with which he creates motifs and creates depth as in the work “Head II” (2002). In …

… production as she became immersed in psychoanalysis. Then, in 1964, for an exhibition after a long hiatus, Bourgeois presented strange, organically shaped plaster sculptures that contrasted …

… and characteristic in this visual language is his preference for elementary geometric shapes: circles, squares, spheres and cubes. He draws, builds and photographs these images and with that …

… or an overgrown embankment. By skilfully using photographic techniques (for example, extremely long shutter times), he takes photos within which the very familiar images of urban society are …