… also with polyurethane foam, aluminum and wood. He enlarges, shrinks and disorganises, just as long as it takes for his starting object to start 'swing', as the artist calls it. … Adam Colton …
… photograph takes on a sense of guilt. Effert photographed the scene at night using an extremely long exposure time. The orange streetlights from a nearby highway create a ghostly effect, a …
… Batik textiles from Indonesia. In addition, Suaka plays with other shapes, such as squares and circles, with which he creates motifs and creates depth as in the work “Head II” (2002). In …
… Batik textiles from Indonesia. In addition, Suaka plays with other shapes, such as squares and circles, with which he creates motifs and creates depth as in the work “Head II” (2002). In …
… and characteristic in this visual language is his preference for elementary geometric shapes: circles, squares, spheres and cubes. He draws, builds and photographs these images and with that …
… begins the artistic process by applying multiple layers of monochrome paint. After that, he no longer adds any paint, but lets substances such as terpentine feed a path through their …
… the oldest human artistic expressions we know: 40,000-year-old rock paintings. They represent a long chain of sharing stories – from the actual painting of animals on a wall to reproduction of …
… or an overgrown embankment. By skilfully using photographic techniques (for example, extremely long shutter times), he takes photos within which the very familiar images of urban society are …