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… Arthur Cordier (1993) gebruikt afgedankt vrachtwagenzeil als basis voor zijn schilderijen. Op het verweerde en verkleurde oppervlak van het … proces in te zetten. Arthur Cordier (1993) uses discarded truck tarpaulin as the basis for his paintings. On the weathered and discolored surface of the tarpaulin, he creates compositions of …

… Met slechts enkele lijnen heeft De Kok in het schilderij Zonder Titel een woeste stormachtige zee weergegeven. Michael de Kok (Hilvarenbeek 1958) paints landscapes that are characterised by their desolation. He reduces the landscape to its … as an ode to the freedom of the spirit and to painting. With just a few lines, in the painting “Untitled”, De Kok has depicted a wild stormy sea. … Michaël de Kok … Michaël de Kok …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings …

… lijken haar schilderijen vaak haast onscherpe foto's. Marielle Buitendijks (Hilversum, 1976) paintings are highly abstracted images of architectural sites such as stadiums. The locations she uses for her paintings are normally places where many people come to gather. By depicting them as empty and desolate, the paintings …

… schuin aflopende kleurvlakken.' Marena Seeling (Weurt, 1953) lives and works in Nijmegen. Her paintings reflect the changes that the once so wide Dutch landscape has undergone under the influence of the advance of industrial building. From an empty … water ways, grasslands, trees, shrubs, but also to sheds, halls and the chimneys of factories. Those elements are always idiosyncratically displayed in terms of colour and …

… kunstenaarschap jarenlang les gegeven aan de AKI in Enschede. Klaus Versteegen's (Lisse, 1943) paintings are colourful and often show simple shapes. His work is seen as 'a continuous search … This search yields up paintings with diverse imagery, but all of which seem to be related to each other by the repetition of certain colours and figures. In addition to being an artist, Versteegen was also a teacher at the AKI in Enschede for many years. … Klaus Versteegen … Klaus Versteegen …

… Helena van der Kraan (1940–2020) legde de stille schoonheid van het alledaagse vast. In haar stillevens vormt natuurlijk … een fles — de betekenis schuilt in de eenvoudige aanwezigheid ervan. Helena van der Kraan (1940–2020) captured the quiet beauty of everyday life. In her still lifes, natural light gently shapes a chair, a bottle, or a window, turning ordinary objects into bearers of intimacy and memory. Her photographs balance calm and tension, presence and absence. They recall …

… en vormen bevatten subtiele verwijzingen naar de wereld om ons heen, maar behouden ook een abstracte kwaliteit. Het in herkenning getrainde menselijk brein maakt van Zonder Titel (1993) … us, but also retain an abstract quality. The human brain, trained in recognition, could turn “Untitled” (1993) maybe into a landscape with boats and an oar. In any case, what reaches to the viewer is in the mood of the …

… that occurs in that garden and its immediate surroundings can be the subject for Slegten's paintings and graphic work. Of course, in this regard, she does make specific choices. She … views them from her house. Every day, her eye catches things that no one else looks at and her paintings make those things clearly visible. … Ellie Slegten … Ellie Slegten …